Played over a V7 chord, the altered scale supplies every
altered extension at once: ♭9, ♯9, ♯11, ♭13.
It still contains the chord's defining 3 and ♭7, so the
dominant function survives intact while the colour goes
maximally chromatic. Resolve the line down a fifth to the I
and the tension explodes into consonance.
Think of it as the seventh mode of melodic minor — the
melodic minor a half step above the dominant's root.
For G7alt → Cmaj7: play A♭ melodic minor starting on G. Same seven notes; the new
starting point makes every melodic minor scale into a usable
V7alt scale.
Now 2 octaves, both hands — the same pattern extended up and back with fingering marked above every note in each hand.
Intervals
1 – ♭9 – ♯9 – 3 – ♯11 – ♭13 – ♭7.
Parent
Mode 7 of melodic minor: C alt = D♭ melodic minor played from its 7th degree.
01
C7alt altered
02
F7alt altered
03
B♭7alt altered
04
E♭7alt altered
05
A♭7alt altered
06
C♯7alt altered
07
F♯7alt altered
08
B7alt altered
09
E7alt altered
10
A7alt altered
11
D7alt altered
12
G7alt altered
Maximum tension, minimum scale. Seven notes that contain every alteration of a dominant chord at once.