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(MED. SWING ♩=80 )
35
Jazz Piano · Blues Comp Styles
Charleston Blues
Dotted-quarter + eighth syncopation, both hands, twelve keys
Play exercise
The Charleston rhythm is one of the great
rhythmic shapes in jazz: a dotted-quarter note followed by an
eighth note, occupying beats 1 and 2 of a bar, then a half-rest
for beats 3-4. The accent hits beat 1 and the "and of 2"
— the same pattern as in the 1920s Charleston dance, and used by
every comping pianist since.
Applied to the blues, this puts two chord stabs per bar with
two beats of space, on every chord, every bar. The space is as
important as the hit. Practice it slowly to feel where the "and
of 2" sits in the beat.
Rhythm Dotted-quarter + eighth on beat 1; half rest beats 3-4
Form I⁷ IV⁷ I⁷ I⁷ | IV⁷ IV⁷ I⁷ I⁷ | V⁷ IV⁷ I⁷ V⁷
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7
The Daily Drill
Learn the feel
5 min Play one key very slowly. Internalise where each hit lands in the bar. Feel the rhythmic shape — that's what defines this style. 15 min Cycle three keys at a time. The shape is the same; only the transposition changes. Pay attention to how black-key starts shift the hand position. 8 min Apply: pick a blues you know (Now's the Time , Billie's Bounce , Tenor Madness ) and play this comping style behind a recorded soloist. 3 min Cycle through all twelve keys without stopping. The blues form is one chorus; twelve choruses lets you experience the style in every key.
Dotted-quarter, eighth, two beats of silence. The Charleston pattern.