(MED. SWING ♩=80)
65

Jazz Piano · The maj7♯5 Scale

Lydian Augmented

Mode 3 of melodic minor — lydian with raised 5, twelve keys

Lydian augmented is the 3rd mode of melodic minor. Take lydian (major with ♯4), then raise the 5 to ♯5 as well. C lyd aug: C D E F♯ G♯ A B C. Two altered tones at once gives the scale a hovering, mysterious quality — the only consonant interval to the root is the 3.

Use it over maj7♯5 chords (sometimes written +maj7). The natural 7 keeps the major quality; the ♯5 replaces the chord's 5; the ♯4 sits as an upper extension. The sound is brighter than lydian, less functional, and was a Wayne Shorter / Herbie Hancock signature in the mid-1960s.

Now 2 octaves, both hands — the same pattern extended up and back with fingering marked above every note in each hand.

Intervals

1 – 2 – 3 – ♯4 – ♯5 – 6 – 7. Two raised tones (♯4 and ♯5).

Use

Over maj7♯5 (+maj7). Mode 3 of melodic minor.

01

Cmaj7♯5 lyd aug

X X 7fr C 5 C 5 X X 7fr
02

Fmaj7♯5 lyd aug

X X 12fr F 5 F 5 X X 12fr
03

B♭maj7♯5 lyd aug

X X 17fr B 5 B 5 X X 17fr
04

E♭maj7♯5 lyd aug

X X 10fr E 5 E 5 X X 10fr
05

A♭maj7♯5 lyd aug

X X 15fr A 5 X X 15fr A 5
06

D♭maj7♯5 lyd aug

D 5 X X 8fr D 5 X X 8fr
07

F♯maj7♯5 lyd aug

F 5 X X 13fr X X 13fr F 5
08

Bmaj7♯5 lyd aug

B 5 X X 18fr X X 18fr B 5
09

Emaj7♯5 lyd aug

E 5 X X 11fr X X 11fr E 5
10

Amaj7♯5 lyd aug

A 5 X X 16fr X X 16fr A 5
11

Dmaj7♯5 lyd aug

D 5 X X 9fr X X 9fr D 5
12

Gmaj7♯5 lyd aug

X X 14fr G 5 X X 14fr G 5

Major with two raised tones. The most non-cadential consonance in the language.

80 bpm
Sound