Mode 3 of melodic minor — lydian with raised 5, twelve keys
Lydian augmented is the 3rd mode of melodic minor. Take
lydian (major with ♯4), then raise the 5 to ♯5 as well. C lyd
aug: C D E F♯ G♯ A B C. Two altered tones at
once gives the scale a hovering, mysterious quality — the only
consonant interval to the root is the 3.
Use it over maj7♯5 chords (sometimes written
+maj7). The natural 7 keeps the major quality; the ♯5
replaces the chord's 5; the ♯4 sits as an upper extension. The
sound is brighter than lydian, less functional, and was a
Wayne Shorter / Herbie Hancock signature in the mid-1960s.
Now 2 octaves, both hands — the same pattern extended up and back with fingering marked above every note in each hand.
Intervals
1 – 2 – 3 – ♯4 – ♯5 – 6 – 7. Two raised tones (♯4 and ♯5).
Use
Over maj7♯5 (+maj7). Mode 3 of melodic minor.
01
Cmaj7♯5 lyd aug
02
Fmaj7♯5 lyd aug
03
B♭maj7♯5 lyd aug
04
E♭maj7♯5 lyd aug
05
A♭maj7♯5 lyd aug
06
D♭maj7♯5 lyd aug
07
F♯maj7♯5 lyd aug
08
Bmaj7♯5 lyd aug
09
Emaj7♯5 lyd aug
10
Amaj7♯5 lyd aug
11
Dmaj7♯5 lyd aug
12
Gmaj7♯5 lyd aug
Major with two raised tones. The most non-cadential consonance in the language.