1 – 2 – 3 – 4 – 5 – 6 – ♭7 — major with flat 7, twelve keys
Mixolydian is the 5th mode of major — the major scale with a
♭7. C mixolydian: C D E F G A B♭ C.
The flatted 7 turns the tonic chord from a maj7 into a dom7,
making this scale the natural fit for any V7 chord in functional
harmony.
Used over dominant 7 chords (especially V7 resolving to I) and
as the home scale of major-key blues. The 3 keeps the dominant
function; the ♭7 keeps it pulling toward resolution. Every blues
I7 — even though it's a tonic — uses this scale.
Now 2 octaves, both hands — the same pattern extended up and back with fingering marked above every note in each hand.
Intervals
1 – 2 – 3 – 4 – 5 – 6 – ♭7. Major with flat 7.
Use
Over V7 (functional) and over blues I7.
01
C dominant
02
F dominant
03
B♭ dominant
04
E♭ dominant
05
A♭ dominant
06
D♭ dominant
07
G♭ dominant
08
B dominant
09
E dominant
10
A dominant
11
D dominant
12
G dominant
Major with a flat 7. Every dominant chord lives in this scale.