(MED. SWING ♩=80)
52

Jazz Piano · Dark Modal Voicings

Phrygian Vamp

♭II triad over i bass — the ♭9 sound in twelve minor keys

The Phrygian mode's signature is the ♭2 — the one note that distinguishes Phrygian from ordinary natural minor. The classic voicing puts a ♭II major triad on top of the i bass. For Cm Phrygian: D♭/Cm. The D♭ triad's three notes (D♭, F, A♭) supply the ♭9, 4, and ♭13 of the minor i — all the Phrygian tensions in one familiar major-triad shape.

Both hands play whole notes. The ♭II is a half-step above the tonic, which gives the chord its Spanish quality — that half-step is what makes flamenco sound flamenco. Vamps don't modulate; the mode is the destination, not the journey.

LH

Minor-tonic root.

RH

♭II triad. Notes become ♭9, 4, ♭13 of the i.

01

Cm Phrygian

D / C X X X 4fr D / C X X X 4fr
02

Fm Phrygian

G / F X X X 9fr G / F X X X 9fr
03

B♭m Phrygian

B / B X X 13fr B / B X X 13fr
04

E♭m Phrygian

E / E X X 6fr E / E X X 6fr
05

G♯m Phrygian

A / G X X X 12fr A / G X X X 12fr
06

C♯m Phrygian

D / C X X X 5fr D / C X X X 5fr
07

F♯m Phrygian

G / F X X X 10fr G / F X X X 10fr
08

Bm Phrygian

C / B X X X 3fr C / B X X X 3fr
09

Em Phrygian

F / E X X X 8fr F / E X X X 8fr
10

Am Phrygian

B / A X X X 13fr B / A X X X 13fr
11

Dm Phrygian

E / D X X X 6fr E / D X X X 6fr
12

Gm Phrygian

A / G X X X 11fr A / G X X X 11fr

Triad above. Bass below. The half-step gravity holds the room dark.

80 bpm
Sound