♭II triad over i bass — the ♭9 sound in twelve minor keys
The Phrygian mode's signature is the ♭2 — the
one note that distinguishes Phrygian from ordinary natural minor.
The classic voicing puts a ♭II major triad on
top of the i bass. For Cm Phrygian: D♭/Cm. The D♭ triad's three
notes (D♭, F, A♭) supply the ♭9, 4, and ♭13 of the minor i — all
the Phrygian tensions in one familiar major-triad shape.
Both hands play whole notes. The ♭II is a half-step above the
tonic, which gives the chord its Spanish quality — that
half-step is what makes flamenco sound flamenco. Vamps don't
modulate; the mode is the destination, not the journey.
LH
Minor-tonic root.
RH
♭II triad. Notes become ♭9, 4, ♭13 of the i.
01
Cm Phrygian
02
Fm Phrygian
03
B♭m Phrygian
04
E♭m Phrygian
05
G♯m Phrygian
06
C♯m Phrygian
07
F♯m Phrygian
08
Bm Phrygian
09
Em Phrygian
10
Am Phrygian
11
Dm Phrygian
12
Gm Phrygian
Triad above. Bass below. The half-step gravity holds the room dark.